Plaster Saints &
With a short deadline to meet, I worked quickly with the team, exchanging ideas and layouts for the figures, legends and symbols they elicited.My sketches had all been completed and approved, and I was on the starting blocks, (so to speak) with paintbrush in hand, motivated and eager to make a start.
However, when there was a sudden change of plan… I was informed that the icons were now to resemble something closer to photographic portraits.
Although the new September term was looming, I adjusted figures, recalling Abraham Lincoln's warning the dangers of "changing horses’ midstream..." And although sudden changes of plan can be unsettling, I have come to accept that it is usually part of God’s plan.
Creating contemporary icons of saints has its problems. There are many pre-conceptions about what an Icon is and what painting methods should be used. I feel the main ingredients are prayer and inspiration, yet I had been troubled by depicting St. Teresa Benedicta (Edith Stein) in casual clothing rather than her in Carmelite habit. However, one morning before mass, I imagined her holding up the brown scapular. (In this way, she would still be wearing the carmelite habit). This is something the school children may never have encountered had she been portrayed in her full Carmelite habit.
After this I found myself able to jump the hurdles set before me like a Grand National equine; obstacles were overcome and the icons completed with a few days to spare!
I hope the children will learn not only about the life of St. Teresa Benedicta, as a victim of the holocaust, but also of that important event in their English Catholic heritage; when the Blessed Virgin favoured St. Simon Stock with the brown scapular of Carmel.
"St. Simon was an Englishman, a man of great holiness and devotion, who always in his prayers asked the Virgin to favour his Order with some singular privilege. The Virgin appeared to him holding the Scapular in her hand. In its original context, the meaning of this promise was that Carmelite religious who persevered in their vocation would be saved. Beginning in the 16th century, the Carmelites began giving the brown scapular to lay people who wanted to be affiliated with the Order, and it became increasingly popular as a religious article.
Lewis and Lewis
is a Catholic family run business: specialising in statue restoration, and church interior projects.
Jeanette is a professional sculptor/fine artist and designer; husband David is a traditional upholsterer/technician.
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