The icon board was cut to size and the animal glue soaked overnight. Next day this is warmed through, and used to adhere the cloth to the board. Once the glue on the linen cloth has cured it is trimmed; and the application of the prepared gesso can begin. (above right) The aim of this process is to produce a smooth pristine surface to receive the paint. It is built up over a couple of days using around seven to ten layers of gesso. This is carefully cured and sanded to present an area which represents the perfection of heaven. When executed properly, these gesso layers can last centuries; sometimes when the board has decayed, the gesso layer and "Pavaloka" can be removed to conserve the artwork, and re- mounted onto another board.
This area (the Kovtcheg) represents a transitional space between heaven and earth - and as life on earth can be pretty imperfect; I guess on this project it is acceptable to allow a space which is physically distressed.
The icon will be rendered in oils and include gold leafing. The finished icon will take several months to complete, because of the long period oils take to cure.
I will hope to post an image of the finished icon later in the year.
Liturgical artist/restorer. Bachelor of Art and Design, Catholic Blogger
Catholic statue repair & church artworks by Lewis and Lewis: If sharing our information with others, please always include the following text:
" (c) Lewis and Lewis 2017 - www.jlewisstatues.co.uk "
No permissions given for commercial useage:
all images and information remain property of Jeanette Lewis.
See Website Terms & Conditions.