Earlier this year I completed a commission from Fr. H to make a 44 inch statue of St.Catherine for his parish. Revd. H sent me some images of his ideal "Catherine" and how the finished statue might look. The range of images were eclectic in style. Some very simple and others highly decorated. From these we extracted which elements of the figure design were essential, and which could be achieved in practical terms.
To create the figure I used water based clay which I find more responsive to the touch than the less traditional plastilene (plasticene -type) modelling materials.
The following images show some of the stages in producing the figure
Designing the figure.
Sketches are an important part of helping the client see how the sculpture may look when finished. This older statue of St.Catherine shows how the proportions of the wheel had to change in order to make sense in three dimensions. (Note: The sword for this statue is missing.) To the right is a sketch combining elements of the flat back, and my interpretation of St. Catherine.
Building the figure Support
To support the weight of clay used to build the figure, David constructed a rotating platform and scaffolding jig. This would hold the armature which has to be shaped to fit the pose of the figure. It has to be strong enough to support the clay, in this case around 50 + kilos.
Modelling St. Catherine's face
Its helpful to have a live model from which to make notes when planning to sculpt a figure. Yet an artist will not always copy this slavishly, consideration is given to creating a more pleasing shape than would appear in reality. In the same way a portrait artist, may strive to bring out his subjects "best" features.
The head is sculpted separately, and added to the torso.
Moulding and casting
Once the clay model was completed, we made a mould for the figure.
and separate moulds for the hands, crown and dove. These were cast seperately and attached later to the plaster cast.
Once the plaster was fully dry, polychroming could begin.
Consideration was given to the colours of the clothing, the detail of the cloak clasp, and the dove. Fr. H asked that the dove be coloured like that of an African species which would have populated the Jordan in biblical times. The complexion, eye and hair colour were matched to that of his beloved granddaughter. Finally, the statue was complete and ready to display for the feast of St.Catherine on 25th of November.
Follow us on
Welcome to our blog,
when posting comments our one request is that you abide by the golden rule as given in
Bar Convent Madonna
Manchester Oratory (1)
Gilbert Scott Reredos (1)
Symbol of Pelican
Our Lady of Walsingham symbolism
Sculpting Mary's hand
Sculpting the Madonna
Sculpture of Risen Christ
Sculpting St. Catherine
Plaster corpus restored
Family nativity set
Nativity shepherd & flute
School "Fatima" statue
Five new Icons
English Martyrs Mural
Processional for May
St. Anthony's book & Bread
Catholic statue repair & church artworks by Lewis and Lewis:
If sharing our information with others, please always include the following text:
" (c) Lewis and Lewis 2017 - www.jlewisstatues.co.uk "
No permissions given for commercial useage:
all images and information remain property of Jeanette Lewis.
See Website Terms & Conditions.