Finished the restoration of this Life size corpus last month, I polychromed & gilded the piece, then David re-installed onto the sanctuary wall. It was part of a rood screen which had been in storage for some years... Father James saw its potential, and I was happy to be part of re-instating it and for it to see the light of day once again.
The Bambino from the crib set of the church of Our Lady of the Assumption in Wigan is restored
1. Amateur repairs had rendered the original arm irreparable.
2. A new arm was modeled in clay and a mould made around it.
3. The old arm has to be discarded because of the poor condition.
4. The arm has been replaced and the figure restored.
Days before we closed for Christmas break, I visited a church to refurbish the carved symbols on the altar. These were of the alpha and omega, with a Pelican in the centre, feeding its young.
The Carving of the Pelican was looking rather dull. It was lost in a sea of beautiful deep green marble. The story it was meant to tell had become unreadable.
The P.P. wanted to revive that story, so that he could better explain the Eucharist to the children.
The story goes something like this:
In medieval times, it was thought that the Pelican preened feathers from her breast until it bled. With her own blood, she fed her young chicks to ensure their survival.
The Pelican became a symbol of the Eucharist; Christ feeding the faithful with His own body and blood.
I might add to the story by saying "Strengthened and matured, the young birds find that they have the strength to leave the earthly nest and soar heavenward."
The source of this legend has been lost in time, yet it gave rise to the intriguing Catholic symbol we see in our churches today.
The following set of stations of the cross belong to a London Church.
Father wanted them to look as beautiful as possible, but hold back on some areas where damage was minimum to retain their sense of age.
I think this was the right approach, as the stations were new in 1858, and part of their beauty was in their age.
The figures which make up the tableaus, are beautifully carved, and originate from Belgium or Germany. As with many old church pieces their provenance has been lost with the passage of time.
We restored the figures where paint had flaked, and replaced missing spears and clubs.
The spires and gilded acanthus leaves were broken, along with some of the crosses topping the frames. We found that the wooden frames had been more colourful, the tan brown which now predominated was not original, but a change made just after the war.
It appeared that when the stations has been restored in 1948, new back grounds had been added, perhaps the originals had deteriorated to such an extent that this was deemed necessary.
The image below shows the crudity of this " new" addition compared to the attention given to the frames and figures.
When we visit various churches, parishioners often tell us how unhappy they are about the scenic element to their stations of the cross having been painted out altogether.
We felt it important to address this problem, not only to restore some of the original integrity of the artworks, but also to enhance the story - telling aspect of the set. (That is the Catechetical element.)
The following images show the eleventh and twelfth stations with backgrounds re-painted in th spirit of the originals.
Follow us on
Welcome to our blog,
when posting comments our one request is that you abide by the golden rule as given in
Bar Convent Madonna
Manchester Oratory (1)
Gilbert Scott Reredos (1)
Symbol of Pelican
Our Lady of Walsingham symbolism
Sculpting Mary's hand
Sculpting the Madonna
Sculpture of Risen Christ
Sculpting St. Catherine
Plaster corpus restored
Family nativity set
Nativity shepherd & flute
School "Fatima" statue
Five new Icons
English Martyrs Mural
Processional for May
St. Anthony's book & Bread
Catholic statue repair & church artworks by Lewis and Lewis:
If sharing our information with others, please always include the following text:
" (c) Lewis and Lewis 2017 - www.jlewisstatues.co.uk "
No permissions given for commercial useage:
all images and information remain property of Jeanette Lewis.
See Website Terms & Conditions.<body oncontextmenu="return false;">