With so much restoration work to accomplish, we occasionally take a little time out to produce a few of our own exclusive artworks and make them available for purchase. For 2019 two copies of the Risen Christ statue (sculpt and poly chromed by myself) will be available. This statue is 38 inches (97 cm) tall and cast in plaster.
It is a new edition of an earlier model.
My vision for the Risen Christ Statue
Jesus has risen from the tomb, and floats above the stony earth.
His posture is heroic, his gaze steady and re-assuring. His foot barely touches the ground. His white garments trail the ground as he ascends.
His right hand is turned in a gesture of openness, His wounds clearly visible. The fabric has loosened from his right shoulder, and a light breeze swells his mantle giving a sense of freedom and weightlessness.
His left arm appears tightly bound with fabric like the winding cloth of a shroud. He points to the wound in his side as though to say; " See and believe!"
Ordering a Copy of this statue
If you are interested in obtaining one of our "Risen Christ" statues in time for Easter of this year, orders and a deposit must be in by Candlemass - February 2nd.
We can cast our figures to order by special request, - a lead time of two months is required for the casting and polychroming of one of our unique figures. Please contact us for further details.
(Easter Sunday 2019 is on the 21st of April.)
Earlier this year I completed a commission from Fr. H to make a 44 inch statue of St.Catherine for his parish. Revd. H sent me some images of his ideal "Catherine" and how the finished statue might look. The range of images were eclectic in style. Some very simple and others highly decorated. From these we extracted which elements of the figure design were essential, and which could be achieved in practical terms.
To create the figure I used water based clay which I find more responsive to the touch than the less traditional plastilene (plasticene -type) modelling materials.
The following images show some of the stages in producing the figure
Designing the figure.
Sketches are an important part of helping the client see how the sculpture may look when finished. This older statue of St.Catherine shows how the proportions of the wheel had to change in order to make sense in three dimensions. (Note: The sword for this statue is missing.) To the right is a sketch combining elements of the flat back, and my interpretation of St. Catherine.
Building the figure Support
To support the weight of clay used to build the figure, David constructed a rotating platform and scaffolding jig. This would hold the armature which has to be shaped to fit the pose of the figure. It has to be strong enough to support the clay, in this case around 50 + kilos.
Modelling St. Catherine's face
Its helpful to have a live model from which to make notes when planning to sculpt a figure. Yet an artist will not always copy this slavishly, consideration is given to creating a more pleasing shape than would appear in reality. In the same way a portrait artist, may strive to bring out his subjects "best" features.
The head is sculpted separately, and added to the torso.
Moulding and casting
Once the clay model was completed, we made a mould for the figure.
and separate moulds for the hands, crown and dove. These were cast seperately and attached later to the plaster cast.
Once the plaster was fully dry, polychroming could begin.
Consideration was given to the colours of the clothing, the detail of the cloak clasp, and the dove. Fr. H asked that the dove be coloured like that of an African species which would have populated the Jordan in biblical times. The complexion, eye and hair colour were matched to that of his beloved granddaughter. Finally, the statue was complete and ready to display for the feast of St.Catherine on 25th of November.
When parts of a statue are missing, I always sculpt a new replacement part to ensure that it is modelled to the correct style and proportions of the statue. In this way the the figure retains its original aesthetic.
So, this week I have been preparing a clay model for the replacement - (Photos below) and hope to make the mould and cast it by the weekend.
As we will be making the sceptre too, the statue should be complete within a couple of weeks, when I will post the results of the completed restoration.
Above: Three views of the clay hand, to the right it holds a modelling tool which is the correct diameter for the sceptre.
Since writing this post, we visited the area where the statue was to be displayed, and it was decided that the statue would hold a rosary rather than a sceptre.
The image below shows the finished results, click image to enlarge.
as though she was teetering on the edge, preparing to jump.
Fr. S wanted to find something more fitting to help with devotions in his church. Providentially, the answer to this problem came as a commission for us to produce a new statue of Our Lady of the Blessed Sacrament.
Having seen the Marian shrine of my childhood church in Liverpool relegated to a meeting room, (during re-ordering in the 70's) I am grateful to Fr. S for having considered me for this work, and to have been part of re-instating devotion to her. It helped to heal that former sense of loss, to know that devotion to Mary would be shared again.
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Bar Convent Madonna
Manchester Oratory (1)
Gilbert Scott Reredos (1)
Symbol of Pelican
Our Lady of Walsingham symbolism
Sculpting Mary's hand
Sculpting the Madonna
Sculpture of Risen Christ
Sculpting St. Catherine
Plaster corpus restored
Family nativity set
Nativity shepherd & flute
School "Fatima" statue
Five new Icons
English Martyrs Mural
Processional for May
St. Anthony's book & Bread
Catholic statue repair & church artworks by Lewis and Lewis:
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